Showing posts with label streetlight manifesto. Show all posts
Showing posts with label streetlight manifesto. Show all posts

Friday, December 9, 2011

That's my JAM

First and foremost, I'd like to get this out of the way:

This is pretty much my favorite picture on the Internet at the moment, and it currently serves as my official position and motto.

So, you know, there's that.

In other news, I'm writing this pretty late on a Thursday night, and I really can't see a way where I finish this before I fall asleep. Hell, I may fall asleep while writing. It wouldn't be the first time. (Ed. Note: I did. Fell asleep and forgot to post it.) So yeah. What a night. At least Elf was on TV.

Anyway. Enough of that. Here's what I wanted to do: I wanted to share some of the songs with which I'm currently having a love affair so you can either join me or mock me. Most of you will probably mock me, and, you know, I'll allow it.

So here you go. Mock away!

"A Better Time, A Better Place," by Streetlight Manifesto

I first heard this song back in July when I went to the Reel Big Fish/Streetlight Manifesto concert. Thankfully, I have a pretty prodigious talent for memorizing quotes, lines of songs, etc., very, very quickly. I'd never heard the song before that concert, so I didn't know the name of the song.

When I got home, I googled the phrases I'd memorized from the concert and found the song. I youtubed it and liked it immediately, but the obsession didn't start until probably Thanksgiving. Since then, I've been listening to it several times a day. Like you do. I really like pretty much every Streetlight Manifesto song I've heard, so this should come as no surprise. I just love the guy's style of singing.


"We Gotta Get Out of This Place," by The Animals

Dammit I love this song. It's so 60s, you know? I just love the whole sound -- the driving bass line, the simple drum beat, the way it builds slowly toward the chorus before exploding, the gritty, imperfect singing of Eric Burdon. So good.

But my favorite part? At the end of each phrase of the chorus before the melody repeats, the keyboard has a few pick-up notes before playing the main melody of the chorus again. I don't know why I love it so much, but I do. Great fucking song.


"Shipping Up to Boston," by Dropkick Murphys

Believe me. It pains me how much I like this song. But that trip to Boston really softened my hatred of all things Boston, and it's now really just confined to the Red Sox. So as I'll write more about next week or the week after, I went to Boston last month to go to the N.C. State/Boston College football game.

I'd heard of this song because it was Jonathan Papelbon's entrance song at the end of Red Sox games, but man, they played this song non-stop during the BC game. Every few minutes toward the end of the game. And dammit if the beginning of this song doesn't get me fired up. It went immediately onto my running playlist.


"Time of the Season," and "She's Not There," by The Zombies

I know I've mentioned how I'll dance to almost anything, but "Time of the Season" -- whew. I can't help but dance in my seat or in the shower or walking the dog or wherever whenever I hear this song. So fucking great. I love how grimy it sounds, you know? Awesome. And "She's Not There" isn't quite as grimy, but I just love the sound. This is 60s rock done right, my friends. Soulful, gritty funk. I am all in. Shit, I'm dancing on the couch right now listening to them. Can't help it.



"Wagon Wheel," by Old Crow Medicine Show

I'm almost ashamed to admit this, but I'd never heard this song before this week. I knew of it, obviously, having spent a considerable portion of my life in Raleigh, where it's kind of a staple for obvious reasons (listen to the lyrics). But even then, I found it because I was youtubing Mumford and Sons and came across a cover they did of this song. This is one of those songs I can put on and just chill. I love the laid-back, folksy sound.

I have no memories of this song, but hearing it already makes me think of hot summer nights back in North Carolina. It's humid and sticky and the stars are bright in a way only North Carolina knows. And this song is playing and the sweet tea is the only thing making the night bearable.


"Into the Mystic," by Van Morrison

This song man. Another song built for me to dance to like crazy. What a perfect piece of music. What a voice, too. Just listen to him let it rip at 2:34. I want to rock your gypsy soul. Let's GO. I could listen to this song on repeat for the rest of my life.

And I'd never really listened to it before this summer. I listen to Tony Kornheiser's radio show every day. Well I download the podcast and listen to it while I walk Allie. This is TK's favorite song. His show is a sports/talk show, but he plays a song before each segment. One day this summer, he played this song, leading into a segment, and he let the whole song play because he loves it. And then I loved it, too, because, well, listen to it. You can't listen to this song and NOT groove. Yes, I know how white I sound. Suck it, Trebek. Great, great fucking song.


If you made it down this far, wow. That's a great job by you. As always, thank you SO much to everyone who reads. I very much appreciate the comments you give me one way or another. Have an awesome weekend. I know I will for damn sure, starting tonight. Let us GO.

-BG

Tuesday, August 2, 2011

Reel Big Recap

I may have mentioned this last week, but the first time I saw Reel Big Fish was November 2000. I was 18 years old and super pumped to see my favorite band in concert. My then-girlfriend and I got to the House of Blues in Myrtle Beach two hours before the doors even opened.

We were among the first in line. When the doors opened, we sprinted to the front and lined up right up against the stage. Catch 22 played, but I don't remember the other two bands.

Anyway, being right up against the stage meant I was constantly on the edge of the mosh pit, which I've always thought was funny at ska shows, but they're there nonetheless. I didn't find it quite as moronic when I was a moronic 18-year-old.

I am less enthused about them now, which is just another way of saying, "I'm getting too old for this shit." If you've never been to the 9:30 Club, the lower level is open, and the second level has a balcony around the sides and the back. With smallish venues, you don't need to be super close to get a nice view of the stage.

So when the doors opened I ran upstairs and got a spot directly in the center of the balcony. All of that is to say I was close enough to see everything I wanted to see, but too far away for acceptable pictures since I was taking them with my Blackberry. I did take a few video clips with it, and they turned out surprisingly OK, but they're short because my battery kept threatening to die.

What can you do.

Anyway. This was my 10th Reel Big Fish show (twice in DC, twice in Charlotte, twice in Atlanta, twice in Norfolk, once in Winston-Salem and once in Myrtle Beach), and I'd say it easily ranks as the best one I've seen. They played a solid mix of all of my favorites, including some songs I hadn't heard live in nine or 10 years.

RBF and Streetlight Manifesto were co-headlining this tour, which means they were alternating who played last at each stop. I got lucky here because RBF played last, and they played for a solid hour and 45 minutes.

The new guy is Matt Appleton, a sax player who was in Goldfinger previously. I have to say, he nails the newly departed Scott's vocal harmonies perfectly, but the show just isn't the same without the witty banter between Scott and Aaron. Aaron still jokes with Dan (the only other guy on stage who's been in the band for longer than five years at this point) and a couple other guys, and it's still funny. But you know. Scott was always my favorite.

Still, great show. Thanks to my brother, Matthew P., for serving as my notepad during the show. I BBMed him the setlist as they played so I would have it for later, as well as a few notes I didn't want to forget. He wanted to be there anyway, so it was a nice way for him to live vicariously through my BBMs.

They opened with "Everything Sucks," which is such a great song to open the show. It's immediately clear what song it is when the drummer hits the opening tom shots, so the crowd goes crazy. And then the horns kick in. Really gets everyone jumping. They played "Sell Out," "Beer" and "Take on Me" as the encore songs. So, so good.

A few notes about the videos I managed to get: first, I am relieved you cannot hear me singing on them. Because I most certainly was singing as loudly as I can. Like you do. Second, sorry if they're a little bouncy because I was also dancing while I was recording. Of course I was. I think I did a pretty good job making sure it stayed at least a little steady.

And third, sorry the clips are so short. The battery was running dangerously low, and I didn't want to record too terribly long. And also, I wanted to stop recording so I could go back to singing and dancing. So there's that.

Here's the set list (with videos embedded when I have them):

Everything Sucks
Trendy
The Kids Don't Like It
In the Pit
Ban the Tube Top
Down in Flames
Why Do All Girls Think They're Fat
She Has a Girlfriend Now
Good Thing
Your Guts (I Hate 'em)
Slow Down
Brown Eyed Girl



Where Have You Been
Cannibal
Join the Club
Say "Ten"
The Set Up
Sayonara Senorita
SR (regular, punk, disco, country, metal)
Another FU Song
Sell Out



Beer



Take on Me



So there you go! It was just an awesome, awesome show. I think the whole ska thing really appeals to the inner band geek in me -- especially the live shows. When that wall of brass horn sound hits you at a show and they start hitting their high notes...whew. Gives me the chills man. It's just so hard not to dance around and have a good time. Love it.

Some other notes! Before they played "Brown Eyed Girl," Aaron had a little schtick for the crowd. "If you've been to a Reel Big Fish show before, you know we have many, many, many, many, many, many hit songs...(pause, crowd screams)...hold your applause...that we cover." Hey oh.

After they played "Why Do All Girls Think They're Fat," which I'm happy to say I recommended to you last week, Aaron explained, "that song was recorded on our very first record 'Everything Sucks' and then again on the 'Everything Sucks' major label issue, and then again on the 'Keep Your Receipt' EP and then again a couple other places and then we rerecorded it for our 2007 record "Monkeys for Nothing and the Chimps for Free," so I can understand why you might have a hard time finding that one."

"These are the jokes, kids."

So yeah. The 9:30 Club had signs up asking departing concert-goers to be respectful of the neighborhood and try to keep it down. And yet, the club was playing "Sweet Caroline" as we were leaving. Now, you can disagree about whether or not the song is any good, but you cannot disagree that it's a song people will sing and sing loudly.

So I thought that was an interesting decision -- asking people to try to be quiet as they played "Sweet Caroline." I don't make the decisions.

Excellent day all around. I'll probably only post today and Thursday this week. I know you're heartbroken. Crazy week keeps on truckin'.

LET'S GO!

-BG

Wednesday, July 27, 2011

Reel Big Fish!

If you know me at all, you know my favorite band is Reel Big Fish. Even if you don't know me very well, there's a really great chance you at least know about my affinity for RBF.

It dates back to my sophomore year of high school. Their song "Sell Out" had just hit it relatively big, and cracked the charts around the country. I, like literally dozens of others, bought their CD "Turn the Radio Off" because of that song.

I believe it was spring break of my junior year, and my family was driving to New Jersey. Back in the time before iPods, you actually had to bring these things called "portable CD players" with you in the car. And you actually had to bring a wallet full of CDs! CRAZY, RIGHT?!

Well I did. Charlotte to NJ is a solid drive, so I actually listened to the full "Turn the Radio Off" CD for the first time on that trip. I was hooked. I've purchased every release; I've seen them in concert nine times in five different cities. I'm a fan, you could say.

Which brings me to the point of today's post: Reel Big Fish and Streetlight Manifesto are playing the 9:30 Club in DC on Sunday night!

I can't NOT go, right?

So! I actually run into this a lot, but a lot of people either have never heard of RBF, or they've forgotten they knew that song once upon a time.

With that in mind, here's a primer of some of my favorite songs by both bands for the half dozens of people who read this blog who may go to a show on this tour.

Now, this is the 20th-anniversary tour for RBF, so they've said they're breaking out a lot of songs they don't typically play on tour, which is good news for people like me, who celebrate the entire catalog. Still, there are a few songs that will almost certainly be played.

"Take on Me"

Yes, this is a cover of the 1980s A-ha classic. But it's fantastic! They've taken to closing their shows lately with this song, which suits me just fine. Huge fan, obviously haha. This is seriously one of my favorite songs. As I mentioned a couple of weeks ago, this song was the reason I wanted to learn to play the guitar.

It's also one of my absolute favorites to play along to on the drums. It's a workout! Plus, I love the off-beat hi-hat hits that start the song. Winner.

And yes, I do know of that scene from Corky Romano, and yes, I do sing the falsetto parts of this song flawlessly. I am unashamed. Bring it.



"Sell Out"

This is their big hit. If you know Reel Big Fish, this is the song you've likely heard. They used to close their shows with this one, obviously, since it was their "hit." But they've actually opened the show with it the last couple of times I've seen them. It's still a great song, but I don't think it'd make my Top 5 or even Top 10 for RBF songs.



"She Has a Girlfriend Now"

There is a small chance you may have heard this song. It's a fun song, and among people who have only casually listened to RBF, it generally comes up as one they like. Based on a true story too! Aaron the Lead Singer had a girlfriend who left him for another girl -- pretty self-explanatory, actually. Catchy song, upbeat melodies, fun lyrics. Recipe for fun. I've seen them pull girls up from the crowd to help them sing if they don't have a female singer with them on the tour, too. Good times.



"Beer"

Among RBF fans, this generally comes up as the favorite song. Erik loved this song. A lot. Every time he rode in my car he would ask me to play this song haha. It's a winner, though, so I understand. Another really fun song to play along to on the drums. It's fast; it moves; fun drum fills.



"Why Do All Girls Think They're Fat"

This is a favorite of mine from a bit deeper in the RBF catalog. It's actually a pretty old song, with the first version appearing on an album in the mid-90s I believe. It was re-recorded for the album the band released in 2007.

As with most of their songs, it's just a lot of fun, and it's easy to get up and dance to it.



Now, Streetlight Manifesto is co-headlining this tour with RBF, so I'm not sure who's closing the show on Sunday night. Streetlight Manifesto features Tomas Kalnoky, who was the lead singer of another popular ska band, Catch 22. So if you hear songs by SM that sound a lot like Catch 22, it's because SM has a few former members of Catch 22.

And they also re-recorded one of Catch 22's more popular albums (their debut album, Keasbey Nights), which featured Kalnoky singing in that band, obviously.

I've seen SM twice before, and Catch 22 was actually playing on the same bill as RBF the very first time I saw them 11 years ago. I got to the show two hours early and was standing right up against the stage. I caught a drumstick from the Catch 22 drummer, and this weird guy next to me kept asking me for it.

Buddy, if you wanted it, you should have caught it like I did. So I put it down my pants. Like you do.

"Somewhere in the Between"

Man, I just really like this song. It doesn't matter how often I hear it. Just listen to it. You'll like it. Promise.



"Point/Counterpoint"

They sing the chorus so fast in this one! Ha. But really, they do sing it pretty fast, and I'm a fan. This was the first song of theirs I discovered. I generally look up the bands that play with RBF beforehand so I'm at least a little familiar with them. I happened to download this one first, and that's that.



"The Blonde Lead the Blind"

I really like the drummer in this band, and I like the way he plays the intro to this one. And, well, the rest of the song, too. So there you go. It's also a horn party. Good times.



So there you go. You're ready for the RBF/SM show this weekend. Now you just need to get your asses to DC and come with me!

-BG

Wednesday, April 1, 2009

I'll be your whatever you want

A few songs I'm into right now:

"Cannonball" by The Breeders

The Breeders were formed by Kim Deal (bassist from the Pixies), and this is the song they're probably most-known-for in mainstream rock. Killer bass riff.



"Say It Ain't So" by Weezer

This song really needs no introduction. If you don't like this song, you're doing it wrong.



"Little Willy" by Sweet

I have absolutely no idea why this song entertains me so much. Anne said it sounds like it's from Barney and Friends or something. Well, shit. All I know is it's catchy as hell. Gotta love the ridiculous 70s outfits too.



"Somewhere in the Between" by Streetlight Manifesto

If this sounds like Catch 22 to you, that's because the lead singer of SM is Tomas Kalnoky, the guy who provided the distinctive vocals of what I consider to be Catch 22's glory days. In fact, if you're so inclined, you can check out SM's version of the album "Keasbey Nights," which is almost an exact reproduction of the kick-ass album of the same name by Catch 22 (back when Kalnoky was still with the band). Anyway, this song is great. Epic ska song.



"In My Life" by The Beatles

Without a doubt, my favorite Beatles' song. This song hit me hard when my grandfather died back in October 2000. It was the only song I cared to listen to for approximately two or three weeks surrounding the funeral. It's been almost a decade now, and time does wonders for the cooling and calming of emotions. But playing this song still takes me back to the long ride in the limo from my grandparents' condo to the synagogue and, eventually, to the cemetery. I still love the song. I was exceedingly pleased with myself about four years ago when I figured out I could play the basics of this song on the guitar. So good.



"Take on Me" by Reel Big Fish

Because a music post where I don't mention Reel Big Fish is just incomplete. This is one of my favorite songs they play, and here's a live video showing exactly why I love this band so much. Take the energy they play with in this song and multiply that by two hours, and that's a live RBF show. There's a reason I've seen these guys live eight times. Love the off-beat hi-hat to start the song -- this is also one of my favorite songs to play on my drums.



Well, I think that's a diverse-enough collection of music for now. Go forth and love these songs as I do.

-BG